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뉴 패러다임을 통해 나타난 현대 패션의 동양적 이미지 연구A Study on Oriental Images of Modern Fashion in the New Paradigm

Other Titles
A Study on Oriental Images of Modern Fashion in the New Paradigm
Authors
고명신채금석
Issue Date
May-2008
Publisher
한국의류학회
Keywords
동양적 이미지; 패러다임; 뉴 패러다임; 포스트모더니즘; 해체주의; Oriental image; Paradigm; New paradigm; Postmodernism; Deconstruction; Oriental image; Paradigm; New paradigm; Postmodernism; Deconstruction
Citation
한국의류학회지, v.32, no.5, pp 704 - 716
Pages
13
Journal Title
한국의류학회지
Volume
32
Number
5
Start Page
704
End Page
716
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/14370
ISSN
1225-1151
2234-0793
Abstract
This study aims to explore the creation of fashion design that embraces the diversity of human culture by examining oriental images that appear in the modern fashion with a focus on new paradigms that significantly affect human life as the latest trends, and by reflecting the trends of the times. The results of this study are as follows: First, this study examined that with regard to paradigm, a theoretical frame to view universe, the dichotomous, determinist, mechanism, linear paradigm collapsed to convert to undetermined, exoteric, pluralistic, indeterministic, organic, and holistic paradigm. The new paradigm is identified to have emerged before and after 1950s, and through the new paradigm, the characteristics of postmodernism such as historicality, popularity, locality, folkways and the characteristics of deconstructionism, internally mutual text, post phenomenon, undeterminability and externally exposure, destruction, poverty, decomposition and analysis, were identified. Second, the Orient is defined as the generic term referring to the entire Asian areas east of Turkey. Through the developmental process of oriental images, it was converted from the Oriental image, which mysteriously and romantically represents oriental elements, into the ethnic image that represents long time oriental traditions and indigenous culture together with the characteristics of the new paradigm Third, the artistic characteristics of the Oriental costumes presented by Korea, China and Japan are expressed in developmental types, T-type plane structure, layered style, asymmetrical adjustment and easy silhouette, and they show indigenous characteristics of each country, for example, Chinese styles in dragon pattern, red and yellow, Japanese styles in flower design and achromatic color. Fourth, the Oriental Image, combined with the postmodernism and deconstructionism through the new paradigm, has two: one Oriental image highlights traditional elements by creating new Oriental image such as natural image, folk image, hybrid image and deconstruction image; and another is undetermined and vague by combining or decomposing Oriental or Western elements. It is expected that fashion designs that reflect these contexts of the times will contribute to the strengthening of international competitiveness.
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생활과학대학 > 의류학과 > 1. Journal Articles

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