클라운 분장 코디네이션의 카니발리즘적 특성 연구A Study of Clown Makeup Coordination's Carnivalism
- Other Titles
- A Study of Clown Makeup Coordination's Carnivalism
- Authors
- 장미숙
- Issue Date
- Mar-2007
- Publisher
- 한국패션뷰티학회
- Keywords
- 클라운; 카니발리즘; 가장성; 유희성; 모호성; Clown; Carnivalism; Masquerade; Amusement; Ambiguity
- Citation
- 한국패션뷰티학회지, v.5, no.1, pp 97 - 111
- Pages
- 15
- Journal Title
- 한국패션뷰티학회지
- Volume
- 5
- Number
- 1
- Start Page
- 97
- End Page
- 111
- URI
- https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/159105
- ISSN
- 1738-0480
- Abstract
- This study was motivated not only by the curiosity of clown as a comedian, but also by the clown's special makeup coordination. To analyze the clown makeup coordination Carnivalism, the researcher inquired 1) clown's meaning, sorts, periodic roles and stages, 2) Mikhail Bakhtin's Carnival theory, and 3) makeup coordination of clowns (Harlequin, Pierrot, Auguste and White Face Clown) as the theoretical background. The clown makeup coordination carnival characteristics were shown in masquerade, amusement and ambiguity. The masquerade was expressed on the mask for Harlequin and white makeup for Pierrot, Auguste and White Face Clown. The amusement was revealed on the fall and the inharmony of the grotesque makeup and childish costumes. And also the ambiguity was expressed on the sexless and the infant of clown's real nature and costumes.
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