현대 노마드 패션과 한국 전통복식의 미적 특성 비교연구 -들뢰즈의 노마디즘(유목주의) 미학을 중심으로A comparative study on the aesthetic characteristics of contemporary nomad fashion and korean traditional costume -Focused on Deleuze's Nomadism Aesthetics-
- Other Titles
- A comparative study on the aesthetic characteristics of contemporary nomad fashion and korean traditional costume -Focused on Deleuze's Nomadism Aesthetics-
- Authors
- 양예은; 채금석
- Issue Date
- Oct-2018
- Publisher
- Korean Society of Clothing and Textiles
- Keywords
- Han thought; Korean aesthetics; Korean traditional costume; Nomad fashion; Nomadism; 노 마디즘; 노마드 패션; 한(韓)사상; 한국 미학; 한국 전통복식
- Citation
- Journal of the Korean Society of Clothing and Textiles, v.42, no.5, pp 769 - 785
- Pages
- 17
- Journal Title
- Journal of the Korean Society of Clothing and Textiles
- Volume
- 42
- Number
- 5
- Start Page
- 769
- End Page
- 785
- URI
- https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/1979
- DOI
- 10.5850/JKSCT.2018.42.5.769
- ISSN
- 1225-1151
2234-0793
- Abstract
- This study focused on similarities between modern philosophical Nomadism and the thoughts of Korean people as well as analyzed the correlation between modern Nomad fashion and Korean traditional costumes. This study aims are as follows. First, to establish aesthetic characteristics by examining modern Nomadism and Korean thoughts. Second, draw the principles of design expressions of modern Nomad fashion and Korean traditional costumes. Third, analyze correlations between them. The method of this study was a literature review and an analysis of related photos. The study results are as follows. First, Nomadic aesthetics are characterized by the formation of complex diversity with the variability of fusion and separation through liquidity in an ambiguous boundary; in addition, various possibilities and harmony are the characteristics of Korean aesthetics, held by a holistic thought based on the vision of the universe of Qi (氣). Second, Nomad fashion appeared as variable designs through repetition and the overlapping of forms, and irregular designs were noticed through repetition and the overlapping of circles, quadrangles, and angles in Korean traditional costumes. Third, similarities in the creation of liquidity, variability, and de-territoriality based on modules can be found; in addition, common principles can also be drawn from the appearing design expressions. © 2018, The Korean Society of Clothing and Textiles. All rights reserved.
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