한국음악극연구소의 음악극 실험Music Theater Experiment by the Institute of Korean Music Theater
- Other Titles
- Music Theater Experiment by the Institute of Korean Music Theater
- Authors
- 최애경
- Issue Date
- Jun-2019
- Publisher
- 한국음악학학회
- Keywords
- Institute of Korean Music Theater; Korean Music Theater; Hanguk-eumak Theory; Noregeuk; Minjok-Gageuk; 한국음악극연구소; 한국음악극; 한국음악론; 노래극; 민족가극
- Citation
- 音.樂.學, v.27, no.1, pp 81 - 114
- Pages
- 34
- Journal Title
- 音.樂.學
- Volume
- 27
- Number
- 1
- Start Page
- 81
- End Page
- 114
- URI
- https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/3975
- DOI
- 10.34303/mscol.2019.27.1.003
- ISSN
- 1229-5566
- Abstract
- 본 논문은 오페라 연출가 문호근(1946-2001)이 주도하여 1986년 12월 설립한‘한국음악극연구소’의 음악극 실험에 대한 연구이다. 먼저 연출가 문호근과 작곡가 이건용(1947- )의 공동작업, 음악극 실험의 이론적 배경이 되었던 한국음악론을 살펴본 다음, 노래극과 민족가극의 탄생과정과 특징, 그 전개과정을 살펴보았다. 마지막으로 한국음악극연구소의 1980-90년대의 음악극 실험이 ‘오늘, 여기’ 에서 지니는 사회적 의의와 그 전망을 숙고해 보았다.
This article deals with the musical theater experiment of the “Institute of Korean Music Theater” founded by the opera director Moon Ho-Geun (1946-2001) in December, 1986. Firstly, this article goes over the collaboration between the director Moon Ho-Geun and the composer Lee Guen-Young (1947- ) and analyzes the Hanguk-eumak theory that was the theoretical background of their musical theater experiment. Also, this paper delves into the characteristics and the development processes of the Noregeuk and Minjok-Gageuk. Lastly, this paper examines the meaning and prospects of the musical theater experiment by the “Institute of Korean Music Theater” in 1980s and 1990s to today.
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