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외상적 경험의 공간적 접근: 토니 모리슨의 『빌러비드』A Spatial Approach to Trauma: Toni Morrison’s Beloved

Other Titles
A Spatial Approach to Trauma: Toni Morrison’s Beloved
Authors
육성희
Issue Date
Sep-2013
Publisher
한국아메리카학회
Keywords
Toni Morrison; Beloved; spaces that remember; architectural uncanny; spatialization of trauma; 토니 모리슨; 『빌러비드』; 기억하는 공간; 건축적 언캐니; 외상적 경험의 공간화
Citation
미국학 논집, v.45, no.2, pp 159 - 183
Pages
25
Journal Title
미국학 논집
Volume
45
Number
2
Start Page
159
End Page
183
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/6272
ISSN
1226-3753
Abstract
The purpose of this paper is to investigate how traumatic memories are spatialized by their haunting at and through specific spaces. Trauma studies has paid much attention to the temporal nature, rather than the spatial one, of trauma since trauma refers to an event which is only belatedly assimilated or experienced through its compulsory repetition and the return of the repressed. Sigmund Freud and Cathy Caruth explain these temporal nature of trauma through the traumatic experience of Tancred and Clorinda in Tasso’s epic Gerusalemme Liberata. Drawing on their analysis on the epic, I argue that they overlook the significance of the space in which Clorinda disguises herself and as a result, dies. The two characters’ experience implies in itself both temporal and spatial aspects of trauma. Thus, this paper employs their story as an allegory of trauma, and investigates the temporal and spatial nature of trauma represented in Toni Morrison’s Beloved, primarily by the persistent intrusion of the past and the residential space of 124 Bluestone Road. With a main interest on trauma’s space, this paper explores the residence 124 as a space that remembers the traumatic memory and as the architectural uncanny that leads the characters back to their once familiar but long-buried past. As the place of the trauma, 124 becomes the site in which the traumatic memories are repressed, spatialized, denied, reexperienced, and acknowledged.
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