<<閑情偶寄>>와 서양 희곡의 이론의 비교
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 박성훈 | - |
dc.date.available | 2021-02-22T11:03:50Z | - |
dc.date.issued | 2010-12 | - |
dc.identifier.issn | 1598-8503 | - |
dc.identifier.uri | https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/7182 | - |
dc.description.abstract | 該文根據李漁的<<閑情偶寄>>內有關戱曲理論來與西洋戱曲理論進行比較. 我從結構(plot), 主題(theme, thought), 主人公的三個部分評述了李漁和西洋戱曲上存在着問題. 首先阿里斯多德的<<詩學>>內plot與李漁的結構論進行比較. 本硏究者分析了李漁的結構和阿里斯多德的plot的槪念后, 找到了相似性和差異性. 我認爲李漁說的結構的槪念和包括範圍比plot寬. 李漁在論及結構時按排情節以外, 還說情節的作法. 而且西洋追求plot的必然性, 但李漁更重視結構的自然性. 有關戱曲的theme方面, 李漁說的主腦不是主題(theme). 主腦是一部戱曲內會引起葛藤的一人一事, 和一般認識的主題完全不一樣. 李漁說的立主腦是在創作戱曲時首先建立領導情節的關鍵事件. 有關主人公方面, 李漁說的一人是有關引起葛藤和解決的中心人物的意思., 不是一般單純的主人公.的意思. | - |
dc.format.extent | 17 | - |
dc.language | 한국어 | - |
dc.language.iso | KOR | - |
dc.publisher | 중국문화연구학회 | - |
dc.title | <<閑情偶寄>>와 서양 희곡의 이론의 비교 | - |
dc.title.alternative | The Theoretical Comparison between <<Xian Qing Ou Ji>> and Western Daramaturgy. | - |
dc.type | Article | - |
dc.publisher.location | 대한민국 | - |
dc.identifier.doi | 10.18212/cccs.2010..17.014 | - |
dc.identifier.bibliographicCitation | 중국문화연구, no.17, pp 319 - 335 | - |
dc.citation.title | 중국문화연구 | - |
dc.citation.number | 17 | - |
dc.citation.startPage | 319 | - |
dc.citation.endPage | 335 | - |
dc.identifier.kciid | ART001515021 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | kciCandi | - |
dc.subject.keywordAuthor | 李漁 | - |
dc.subject.keywordAuthor | 結構 | - |
dc.subject.keywordAuthor | <<闲情偶寄>> | - |
dc.subject.keywordAuthor | 阿里斯多德 | - |
dc.identifier.url | https://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART001515021 | - |
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