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元代 勾欄의 公演樣相과 商業文化 ― 雜劇<藍采和>와 散曲<庄家不識勾欄>을 중심으로open accessA study on Performance and Commercial Culture of "GouLan

Other Titles
A study on Performance and Commercial Culture of "GouLan
Authors
박성훈
Issue Date
Jun-2010
Publisher
중국문화연구학회
Keywords
勾欄; 瓦舍; 商業性; <藍采和>; <庄家不識勾欄>
Citation
중국문화연구, no.16, pp 207 - 224
Pages
18
Journal Title
중국문화연구
Number
16
Start Page
207
End Page
224
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/7275
DOI
10.18212/cccs.2010..16.010
ISSN
1598-8503
Abstract
本文以元雜劇<藍采和>和散曲<庄家不識勾欄>爲中心, 探討了勾欄的公演情況和商業文化.勾栏的出现,对中国戏曲的形成,具有重要意义。这是民间艺人向市民观众长期卖艺的地方,各种伎艺之间可以互相交流、吸收。演出可以经常化、固定化。演员有了稳定的演出场所和较好的经济收入,有利于艺术上的提高。元时期是中国戏剧文化发展的一个最为重要的历史时期。由于“勾栏”是一种演出样式和演出场所,所以它就具备了文化学术性与观赏性、娱乐性相结合的特点。
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Park, Sung Hun
문과대학 (중어중문학부)
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