ScholarWorks@숙명여자대학교

초록

This article aims to explore how except for what property of matter could mediate activity of emotional response, so mind could move spectrum of artistic creation with process of understanding and visualization irrespective of seeing through retina. In addition, whether the sensuous information of visual perception recognized as property of matter could not stay in psychological ‘individualization’, with mutual connection and tuning, which could be expanded into the presence of various art ‘categorization’ and creation is investigated in terms of researcher analysis of work Property of matter contains the emotional judgement of material and texture, shape as well as activity and emotional attitude, and has the meaning as emotional media as physical dimension and psycho visual synesthesia imagination involved in terms of product of artwork. In a sense, in chapter Ⅱ this article examined formativeness of property of matter and psycho visual contents divided into three parts according to artwork. First, the process is attributed to two-dimensional limited format of planar characteristics, ‘abstractness’ as physical represented, and to cognition process of brain with physiological sensuous stimulus of visual perception which could mind internalized by color and touching. Specifically, characteristic of Gestalt-theorie psychology understood as ‘unique wholeness of oneness’ is involved in it, in respect of cognitive psychology, ‘reality’ of abstract art asks art appreciator apple and interprets by him/herself, so in spite of ambiguity and obscurity ‘valuable reality’ regenerated through in-depth underlying movement of mind across all artworks. For example, visual image of artist is recreated in our brain, and constructs a model of perceived and emotional recreation. Second, when property of matter is perceived as representation of touching, the practical suggestion of material acts as generation process and creative energy for ‘meaning’ through memory and trace of psychological time to creator as well as art appreciator. Property of matter is not returned into object and state of direction, but becomes ‘dynamis’ of categorization. Third, with psychological twofold meaning derived from relationship between object and subject, through new ‘creation of relationship’ the meaning obtains dimension of depth and overlooks the whole, so the characteristics which make one ‘suddenly’ encounter state and situation were investigated. In chapter Ⅲ, for 2020-2021 series, <Infinity, embracing> connected into researcher analysis of artwork, property of matter as media of the emotion induced by sensitivity necessarily arouses continuous psychological and aesthetic interpretation and is linked with regeneration and expansion. The attraction of infinite variation is based on principle of change which could capture the delicate qualitative variation. In summary, first, property of matter of visual and psychological media is transformed into acceptance and ‘connectedness’, i.e., ‘potentiality’. Second, dispersion and extinction of property of matter functions as ‘potentiality’ of new image with process dissolved into ‘attitude of recession’. Third, the variation by theme functions according to the previous process of ‘connectedness’ and ’dissolution’ serving as combined and unique ‘supporting carrier’. As discussed above, property of matter as well as major material, i.e., ‘Seokchae’ and cystal powder could overcome material ‘triviality’, and could tune sensuously, which not only supports the visual-spatial whole, but also be reduced into oneness. That is, there is the deep and precious one’s inner heart concluded into ‘syn-aesthetic categorization’. Finally in Ⅳ chapter, psychological representation could move through visual psychology and visual perception of eyes and mind, and while representation material touch is perceived into property of matter, unceasingly containing demand of change in the mind artistic as well as intellectual practice could be reflected.

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