ScholarWorks@숙명여자대학교

초록

This study examines the authenticity of sijo songs attributed to the late Goryeo (918– 1392) and early Joseon (1392–1897) periods. These sijo songs primarily adhere to themes of loyalty to the ruined Goryeo dynasty, or to the tragic execution of King Danjong (r. 1452–1455) in the early Joseon period. The former is typically represented by Jeong Mongju and Gil Jae, and the latter by Wang Bangyeon and Seong Sammun. The background stories and attributed authorship of sijo songs are not always aligned with historical facts and often contradict official records. The background stories first emerged in unofficial history books in the seventeenth century, though the original sijo texts predate these narratives. At the time, the sarim (Neo-Confucian literati without political power) class played a pivotal role in developing these background stories. They yearned to restore the loyalists’ honor and consolidate their ideological and political power; thus, they disseminated sijo songs associated with stories of loyalty through unofficial historical texts. Later, the compilers of public songbooks affirmed the sijo–author relationship in songbooks that proliferated in the eighteenth and nineteenth centuries. Consequently, the myths of early sijo and loyalty were formed and solidified. © 2022 Kyujanggak Institute for Korean Studies.

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