清代 士人과 男旦 관계 연구 - 『品花宝鉴을』 중심으로 -
A Study of Relationship between Literati and Female Impersonators in Qing Dynasty - Focused on “Pinhuabaojian”
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초록

“Pinhuabaojian” written love story between literati and female impersonators of the Qing Dynasty in Beijing, with The novel has unique style, some people, and “Hongloumeng” in comparison. There are three main characters relationship, that is Meiziyu[梅子玉] and Duqinyan[杜琴言], Tianchunhang[田春航] and Suhuifang[苏蕙芳], rich and Heixianggong[黑相公]. Each relationship has characteristics. First, Meiziyu and Duqinyan’s relationship rooted in genius arid beauty novels. Next, Tianchuhang and Suhuifang’s relationship is similar to traditional scholar and prostitute’s story. Finally, rich and Heixianggong of the relationship reflects the operatic life, showing the real features of the society at that time. ChenSen[陈森] through these characters and relationships, on the one hand describes the real life, on the other describes the image of his ideal female impersonators. Through these relationship, we can see the relation between literati and Female Impersonators in Qing Dynasty, and the author’s narrative attitude. As a result, these description stems from a sense of pride that literati hold deep in their hearts. They were enjoying to the female impersonators. Therefore, female actors have more feminine characteristics and conform to the taste of society. These passive female impersonators are also related to the absence of female characters in the novel, so Chensen will be his ideal female image of an female impersonators. He also admits that the female impersonators are a humble occupation. So at the end of the story, the ideal female impersonators get away from their job, and regains the identity of the male.

키워드

PinhuabaojianPlay with actorsFemale ImpersonatorsHomosexualityImages of the characters
제목
清代 士人과 男旦 관계 연구 - 『品花宝鉴을』 중심으로 -
제목 (타언어)
A Study of Relationship between Literati and Female Impersonators in Qing Dynasty - Focused on “Pinhuabaojian”
저자
최윤주
DOI
10.18212/cccs.2017..37.006
발행일
2017-08
저널명
중국문화연구
37
페이지
133 ~ 162