ScholarWorks@숙명여자대학교

초록

This study aims to examine how ‘emotion' is formed and performed in Korean TV melodramas focusing on the body and acting of actors. The point where emotions negotiate and the examination of actors(acting) as the performer of emotions are important factors in exploring the cultural identity of the times, because The audience-acceptor can form their identity by receiving emotions through the actor's facial expressions and gestures. For this purpose, this study selected and analyzed TV dramas <Dawn of the Sun>(2016), <Signal>(2016),<Sad,brilliant,goblin>(2017) as texts. The dramas were divided into nonverbal and linguistic expressions, and the context and structure of emotional formation were examined. First of all, as the target elements of nonverbal expression, the gestures such as gestures and nodules of actors were subdivided into gestures, gestures, and gesture types to analyze the repetition of behavior, speed, size, and duration. In addition, FACS was used as a tool to analyze facial expressions, and it was examined by dividing them into three parts: eyebrows, forehead, eyes, eyelids, and lower part of the face(cheek, nose, mouth). The voice which embodies acting and dialogue as the target element of linguistic expression was analyzed. The pitch, jitter, and simmer values were calculated by examining the pitch, length, and accent of the sound using the Praat program while the lines were read by the scene. They provided clues to identify the efficiencies of meaning delivery, psychological action, up and down of words, tone, temporal speed, and uniqueness of voices related to emotional formation. As a result, the actor's acting provided a foundation for enriching the attractions and creating emotional sympathy by expressing rich emotions in poetry and hearing in the organic relationship with drama narrative. In addition, it was not a single emotion in any scene, but a multi- and complex inner emotion, enriching the meaning of the scene, and making the role an attractive person. In addition, the identity and difference of melodramatic emotions expressed by three dramas were revealed.,This led to an aesthetic and sociological approach to explore emotional formation through quantification and quantitative analysis of emotional research. In this way, this study explored the way the emotion of TV melodrama is formed by analyzing the elements of acting expression performed by actors (acting). Since actors (acting) are important in that they affect the formation of identity while emotionally engaging viewers in the narrative world, it is meaningful that examining the emotional problems in TV melodrama through actors (acting) can be an important clue to gauge the identity of an individual, society, and culture.

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