임화와 일본 나프의 시

초록

This thesis is tried to compare Im Hwa’s poetry with Japasese Proletaria Poetry. Im－Hwa’s poetry had established ‘a new mode as the short epic’ and a methodology of ‘the revolutionary romanticism’. 1) But We checked his short epic is like NAPF(=Nippona Artista Proleta Federacio)’s poetry. The reflections in both Im Hwa’s and NAPF’s poetry show a common drift of reducing poetry to a form of meager description of reality and strife, a means of working themselves into full‐blown anger, a slogan. A good example is the series of Im Hwa’s short epic poetry(or ‘short descriptive poetry’) written from 1929 until 1930 and NAPF’s works had was produced in the similar times. It’s possible that Im Hwa was influenced from NAPF’s poetry. The stronger the force of political repression becomes to drive one’s ego deeper inside, the closer self‐introspection comes around and the more the feeble ego searches for ways to cope with repressive realities. But we can meet the special facination of Im Hwa’s poetry. 2) The Marxism of this time was one of Im Hwa’s Confrontation from against his negative reality which he realized, and that, as a result of popularization effort for the proletariate poetry, he developed the short epi and he tried to enhance the power of persuasion by make appear woman’s narrator and the subject. But The woman’s narrator on his poetry is not an active labour type but a passive labour type. 3) We can read a lot of the Anti－War Poetry written by NAPF’s poets. While we can read a lot of Diaspora’s narritive in the Im Hwa’s poetry. In these contexts, ‘transplanted literature history’ had been presented by the modern colonial disruption of illusion and desire to a new modernity. When we compare Im Hwa’s Poetry with NAPF’s Poetry, Our vivid feeling get smaller than before. Nevertheless, Im Hwa’s short epic became the real base for the Narritive Imagination of Korean Poetry.

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