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초록
There have been many discussions regarding modern floral art, especially focusing on the characteristic of its constituent factors and interpretation thereof. In order to discover the identity of the floral arts and to have grasped its essential nature, a great deal of efforts has been exerted. In the end, however, the quest on floral art design starts from such very basic topic as “What is art?” Thus, in this study, the researcher attempted to establish the identity of floral art design as in a genre of arts having approached the subject from the artistic and philosophical perspective based on the statement regarding artificiality as prerequisite to arts of G. Dicki. Research procedures consist of arrangements of the concept of artificiality of art and its distinct features based on the definitions and theories of art. In order to arrange the theories related to artificiality analyzed in a terse and clear manner, and also to classify thereof, they were represented by signs. Based on these coded materials, the researcher tried to clarify the view on the modern floral art, and to present a structural and in-depth method for interpretation thereof, having analyzed modern floral art works, and put such analytical results into practice with suitable application.
키워드
- 제목
- 현대 화예 작품의 인공성에 관한 고찰 -G. Dickie의 예술의 필요조건으로서의 인공성에 관한 언급을 바탕으로-
- 제목 (타언어)
- A Study on Artificiality of ModernFloral Art Works -Based on the statement regarding artificiality as prerequisite to the arts of G. Dicki-
- 저자
- 채송아
- 발행일
- 2008-12
- 저널명
- 한국화예디자인학 연구
- 호
- 19
- 페이지
- 23 ~ 42