ScholarWorks@숙명여자대학교

초록

This study is a philosophical discussion on posthuman and aims to shed light on the art of dance that would differ by technological improvements from an ecological perspective and explore the existential meanings and aesthetic possibilities between machines and humans. Braidotti and Deleuze’s Ethics of ‘Becoming’ was a guide to a methodological interpretation, which allowed an approach to ‘post-anthropocentricism’ emphasized by posthuman from a perspective of dance. First, Chapter Ⅱ described the style of relationships with machines aimed by ecological posthuman and changes in the dance environment according to the new media (e.g. YouTube) and the culture of subscription. Here, the issue is the ecological coexistence of machines and humans, and this chapter demonstrated the changed dance environment, focusing on the characteristics of dance and the new media. Chapter Ⅲ approached dance technology through the topic for discussion, ‘Ethics of becoming’ from the posthuman perspective. The core of this chapter is merger with machines breaking away from ‘anthropocentricism,’ interconnection, and structural openness as a mediator. Chapter Ⅳ conducted philosophical demonstration for the aura of dance in the era of posthuman. Philosophical approaches to posthuman and art of dance can be significant research in that they are humanistic approaches to the not-so-distant question, “artificial intelligence can be a subject of arts?”

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