ScholarWorks@숙명여자대학교

초록

In this thesis, the intertextuality of literature and painting was explored, focusing on the heroic novels enjoyed in the 18th and 19th centuries and Kim Hong-do's Doseok figure paintings. As a result, three conclusions were drawn. First, the Taoist figures in the Doseok figure paintings were influenced by the appearance of the gods worshiped in Taoism in China, and the Taoist figures could be inferred from the marks of each character revealed in the Taoist paintings and heroic novels. Second, the figures of Taoist characters in heroic novels are drawn more secularly and indigenously than those in Taoist figure paintings, which can be found in connection with the primary classes who enjoyed the paintings and novels. Third, through the Taoist figures drawn in the Taoist figure paintings and heroic novels, the people at the time hoped for was a lucky fate, social advancement, and longevity without disease. As above, commonalities and differences in widely enjoyed cultural arts could be found according to the primary classes who enjoyed them and their values. Like the comparative study between paintings and heroic novels attempted in this thesis, studies on the genre negotiation between paintings and novels can provide a richer glimpse into historical culture and become a factor that facilitates deep explorations into the thoughts and values ​​of the people of the time, and therefore should be further expanded.

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