RCA 빌딩의 실내 벽화 연구- 진보를 통한 유토피아니즘
A Study on the Interior Murals of the RCA Building- Utopianism through Progress
  • 서연주
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초록

This study explores how the interior murals of the Rockefeller Center RCA building represent utopianism through the lens of scientific and technological progress. The art program that governed public art of Rockefeller Center in selected “new frontier” as its theme, and intended to represent this in this murals. Jose M. Sert and Frank Brangwyn manufactured 14 murals. American Progress demonstrated through the unity of brain and brawn, the value of labor as shown by men working together on scaffolding, and the idealism driving vision are the root of the American ideology of progress. Time reveals a positive view through the depiction of aircraft, a symbol of contemporary technology and engineering that confirms the position of modern civilization, and contrails with no end in sight. This building murals represent utopia of time-process that allow the gradual development beyond the utopia of space-form, and condenses the positive future through progress.

키워드

RCA 빌딩 벽화조세 M. 세르트프랭크 브랭윈유토피아진보RCA building muralJose M. SertFrank BrangwynUtopiaProgress
제목
RCA 빌딩의 실내 벽화 연구- 진보를 통한 유토피아니즘
제목 (타언어)
A Study on the Interior Murals of the RCA Building- Utopianism through Progress
저자
서연주
DOI
10.20976/kjas.2024..46.010
발행일
2024-12
저널명
한국예술연구
46
페이지
215 ~ 238