ScholarWorks@숙명여자대학교

초록

This paper is a study to clarify the types, uses, and characteristics of folklore drums, where there is little confusion in the concept and definition of the drum, due to the sparse literature data and poor research results, through mutual comparison of related icons, photos, and relics. First, I presented terms and concepts based on the differences in the name, form, and production of folklore books that are currently used in book production and distribution processes, research reports, and dictionary-type manuscripts. And based on this, we compared the shape of the drum, the instrument and the playing posture by using the related iconography of the late Joseon Dynasty, the genre paintings and paintings of Kim Jun-geun produced from the end of the 19th to the early 20th century, photographic materials, and relics as the study subjects. The conclusion is as follows. According to the method of fixing the leather of the drum head, folk drums were largely divided into type 1, type 2, and nailed drum(mot-buk). The first type of String drum(jul-buk) is finished by connecting it with a leather cord or string, and the second type is a string with a wedge added to it. The wedge-studded drum(ssawegi-buk) can be seen as a kind of evolutionary type with a reinforced leather tightening function compared to the cord book. Since only the type 1 string drum was visible on the iconography, and the wedge-studded drum was confirmed in photos and relics from the Japanese colonial period, its origin can be estimated to be before the 20th century. Therefore, the identification of these two types in existing studies should be corrected. This is because, in the category of string drum, it is classified into type 1 and type 2, or the wedge-studded drum, which is currently used in producers and distribution processes, is recognized. On the other hand, when dividing into ‘unpainted drum(baekbuk)’ and ‘painted and patterned drum(dancheong buk)’ based on the presence or absence of coloring and patterns, there were many forms of ‘nail durm+ ainted and patterned drum’. Able to know. As for the use of folklore drums, it is difficult to discuss the concept of exclusive use of each type, except that the drums of the blind fortune tellers (pansu) were mainly ‘Julbuk’ in folk religious ceremonies. It is confirmed that the drums owned by a region or group were shared for various purposes, unlike the royal traditional drums, which maintain the standardized form and standard for each type. In general, there was a perception that string drums were mainly used in ‘farmers band music(nongak)’, and nail drums were exclusively for pansori. However, through this study, it was possible to express an opinion different from the existing opinion. The form of ‘nail-durm+ painted and patterned drum’. was used in many examples not only for pansori, but also for shaman ceremonies and farmers band music. Therefore, the general practice of classifying folklore drums for use should be reconsidered, and it is of the opinion that it is desirable to approach the classification in terms of form.

키워드