ScholarWorks@숙명여자대학교

초록

This dissertation is started from the proposition which Pansori type in the each region is formed by the mutual influence. In today's Baebangi-gut, we can find the Pansori type which is the combination of tale - it offers interest and moral - and the music which is existed in that region. The standards to find out which region is related to the form, are music, gesture and story line. However, the most important factor is the story line. This will allow us to infer that Chunhyang-ga is related to Namwon and Baebijang-taryung or Walza-taryung are related to Kyungki Region. The different forms of Pansori which existed in each region were mutually influenced by their cultural interchanges. This eventually contributed to the integration near Mt. Jiri-san area where Heungrok Song lived and Pansori became established the way it is today. The most active element of this change was Kyungki Pansori which is also called as Junggo-je. Previous Pansori contributed to Pansori of today which is based on Honam(southwest area of Korea) and still managed to keep its own unique style. Through this, Pansori could actualize the cultural prosperity - acceptance and change - and Pansori became national art. Pansori is still under slight change depending on regional differences. We can find that the tradition of Pansori is deeply related to each regional background, by looking at the history of Pansori in Namwon, Gochang, and Sunchun. These regions had cultural base to contribute to the history of Pansori, but more important things is that they had people who had ability to popularize Pansori actively and this is different than other regions. We can also see the importance of human resources in tradition of culture.

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