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The Shiveet Ulaan ritual complex and the stone statuary built at the time of the establishment of the second Turk empire from the second half of the 7th century has a significance as the beginning of the Turk style ritual complex. It has a feature both from the steppe and from China. Some features of the Shiveet Ulaan which are not seen in the ritual complexes of Bilge Khan, and Kul Tegin might show the sign of the natural Turk identity which would be discarded later as adopting the Chinese style sculptures. The sign of some more foreign nature like the lion sculpture might also be related to the Turk steppe identity. The Bayannur Tomb and the Pugu Tomb also dated to the second half of the 7th century are important to consider the characteristics of the Shiveet Ulaan. The Shiveet Ulaan were built at the beginning of the second Turk empire by the Ashina family, and the two tombs were constructed during the Tang ruling period by the Pugu. They represent how the Ashina family and the Pugu tribe have different kind of burial custom and different kind of foreign elements they chose to accept.
키워드
- 제목
- 몽골 초원의 7~8세기 석상 연구 ― 시베트 울란 제사유적을 중심으로 ―
- 제목 (타언어)
- Stone Statuaries of the Turks in the 7th and 8th centuries
- 저자
- 박아림
- 발행일
- 2019-12
- 저널명
- 중앙아시아연구
- 권
- 24
- 호
- 2
- 페이지
- 33 ~ 58