ScholarWorks@숙명여자대학교

초록

Purpose: This study analyzes contemporary dance works by Pina Bausch, Mark Morris, and Akram Khan through Judith Butler’s theory of gender performativity, aiming to clarify how bodily movement deconstructs gender stereotypes and expl ores new identities. The research highl ights dance as a powerful medium that reflects societal norms and internal conflicts. Methods: Each work is analyzed in depth, focusing on how physical movement, stage direction, lighting, and costumes operate as artistic practices that transcend gender boundaries. The study emphasizes Butler’s concept of gender performativity, examining the process of deconstructing and reconstructing gender roles within each piece. Result: In Café Müller by Pina Bausch, traditional gender roles are dismantled through physical restraint and repetitive motions. Mark Morris’s Dido and Aeneas expresses universal emotions that transcend gender through role reversals, while Akram Khan’s Until the Lions visualizes complex identities that move beyond binary gender, presenting a narrative that challenges conventional gender constructs. Conclusion: This study reveals contemporary dance as a powerful artistic tool for challenging fixed notions of gender and identity, reconstructing societal norms through bodily freedom. It suggests that dance, by embracing fluid and complex concepts of gender, can foster societal acceptance of LGBTQ rights and gender diversity, contributing to a more inclusive society.

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