ScholarWorks@숙명여자대학교

초록

This article is the fourth theme to reveal the visual discourse aspects of the 1930s’ Novel. The first job of focusing on the image of the novel is to reveal the visualization of Donghae(동해) and Shilwha(실화) with multiple frame, motage, cross-cutting, symbol, and sign. The second job is to see character as a Mise-en-scene and visualization in Chae Man Sik’s The peaceful world(태평천하). The negative character of Chae’s novel is narrated by a counter-value, satire, and negative personality. The third job is to study the filmic technique of Bak Tae Won’s and Yi Hyo Suk’s novel. Bak uses a camera-eye and Montage to observe a public space and Yi utilizes an overlap and closeup to retrospect a private space. The last job of revealing visualization of 1930s’ novel is to study Choi Myung Ik’s and Han Sul Ya’s and Kim Nam Chun’s novels with visual writing technique. Choi Myung Ik’s The Road of Raining(비오는 길) shows not colliding montage but simultaneous montage, and SimMun(심문) uses a double exposure to show conscious thoughts. Han Sul Ya’s The Return to the hometown(귀향) treats the conflict and harmony between father and son. To retrospect son’s past, an overlap technique is used very effectively. The overlap has an effect on showing their mental conflict. Kim Nam Chun’s SoRyunHang(소년행) uses the concept of scene and sequence of film. The four title of this work become a sequence of scenario. Particularly, the scene of thinking sister is narrated as if closeup. The ending of 1930s’ novel is not the traditional and fixed narrative writing but the image of scene. The visual writing styles cause to change the traditional literary writing styles.

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