ScholarWorks@Sookmyung Women's University: Lee, Jae Joon

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Lee, Jae Joon (이재준)

부설연구기관 (인문학연구소)

Research Area: 철학, 미학, Philosophy, Aesthetics

Tel 02-710-9875
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혐오:5||비인간:4||disgust:3||상호작용성:3||machine:3||nonhuman:3||포스트휴먼:3||인터랙션 미학:3||기계:3||로봇:2||언캐니:2||Televox:2||객체지향존재론:2||Levi Bryant:2||R.U.R.:2||abject:2||텔레복스:2||프래그머티즘 미학:2||disgust of machine:2||uncanny:2||활동이론:2||posthuman:2||disability:2||신유물론:2||android:2||심미적 컴퓨팅:2||장애:2||HCI:2||아브젝트:2||안드로이드:2||레비 브라이언트:2||Middleton Family:1||Multilabel Classification:1||Music Emotion Recognition:1||Negative Affects:1||New Materialism:1||New York World’s Fair:1||Nonhuman:1||ObjectOrientedOntology:1||Politics of Disgust:1||Politics of Quarantine:1||Robot:1||Robot Elektro:1||S. 제키:1||Scientific Visualism:1||St. Sebastian:1||Theater of Science and Technology:1||Walter Benjamin:1||Westinghouse:1||Wolfgang von Kempelen:1||Yukio Mishima:1||abjection:1||actorsnetwork:1||aesthetic assemblage:1||aesthetics of heterogeneity:1||aesthetics of robot:1||aesthetics of technology:1||aesthetics of technoscience:1||affect:1||affect of disgust:1||allegory:1||allopoiesis:1||artificial intelligence robot:1||assemblage:1||automaton:1||autopoiesis:1||community:1||compulsive repetition:1||concept of history:1||contaminated matter:1||disability hatred:1||discarded things:1||disgust of the disabled:1||doppelgänger:1||face of things:1||homosexual:1||images of nervous cell:1||impairment:1||intervention:1||materiality of disability:1||materiality of image:1||mechanical objectivity:1||minorities:1||narcissism:1||narcissistic identification:1||new materialism:1||object:1||objectoriented ontology:1||objet:1||pain:1||posthuman:1||prosthetic technologies:1||relational ontology:1||representation:1||robot:1||robotics:1||selfdisgust:1||social exclusion:1||speculative realism:1||surrealism:1||things:1||transcorporeality:1||vagrants:1||감성적 배치:1||강박적 반복:1||개입:1||객체:1||경험:1||경험의 연속성:1||고통:1||골지와 카할의 논쟁:1||공동체:1||과학기술 극장:1||과학기술 미학:1||과학기술의 미학:1||과학적 시각주의:1||관계 존재론:1||근본적 구성주의:1||기계 투르크인:1||기계적 객관성:1||기계지향존재론:1||기계혐오:1||기술미학:1||나르시시즘:1||나르시시즘적 동일시:1||네츠슈파눙:1||뉴욕 세계박람회:1||도플갱어:1||동성애:1||듀이의 미학:1||들뢰즈:1||디지털 미학:1||디지털 생태계:1||디지털예술:1||로봇 미학:1||로봇공학:1||마크 퀸:1||미들턴 가족:1||미디어로서의 컴퓨터:1||미시마 유키오:1||미적 경험:1||미학:1||바로크 미학:1||바로크 오토마타:1||발터 벤야민:1||버려진 사물:1||변형신체성:1||보충 기술:1||볼프강 폰 켐펠렌:1||사물:1||사물의 얼굴:1||사변적 실재:1||사이배슬론:1||상호작용:1||상호작용 예술:1||상호작용 인공물:1||성 세바스티아누스:1||소비자본주의:1||소수자성:1||손상:1||시각적 은유:1||신경미학:1||신경세포 이미지의 재현:1||신체화:1||심미적 경험:1||심미적 판단:1||아브젝시옹:1||안드로이드 과학:1||알레고리:1||에릭:1||역사 개념:1||오브제:1||웨스팅하우스:1||이미지 재현성:1||이미지의 물질성:1||이질성의 미학:1||인간컴퓨터상호작용:1||인공지능:1||인공지능 로봇:1||인류세:1||인터랙션 디자인:1||인터랙션디자인:1||일렉트로:1||자기생성:1||자기혐오:1||자동인형:1||장애의 물질성:1||장애인 혐오:1||장점마을:1||재현:1||정동:1||정동작용:1||정보감성화:1||정보시각화:1||정보청각화:1||정서:1||정서컴퓨팅:1||정크 아트:1||초현실주의:1||컴퓨터계산의 미학:1||타자 의존성:1||행위자연결망:1||혐오의 정동:1||혐오의 정동적 사건들:1||회집체:1||: 오염 물질:1||휴머노이드:1||A. 다마시오:1||Aesthetics of Science and Technology:1||Affect:1||Affection:1||Affective Events of Disgust:1||Android Science:1||Anthropocene:1||Artificial Intelligence:1||Baroque aesthetics:1||Baroque automata:1||COVID19:1||Consumer Capitalism:1||Cyathlon:1||Deleuze:1||Disgust:1||Emotions:1||Eric:1||F. 피시윅:1||Feature Selection:1||Golgi and Cajal:1||HCI에서의 심미적 경험:1||HCI의 미학:1||Humanoid:1||Image Representation:1||Jangjum Village:1||Junk Art:1||Korean history:1||MachineOrientedOntology:1||Marc Quinn:1||Mechanical Turk:1||

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Sookmyung Women's University. Cheongpa-ro 47-gil 100 (Cheongpa-dong 2ga), Yongsan-gu, Seoul, 04310, Korea02-710-9127

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