상호결합 방식에 의한 패션 디자인의 외형 변화 연구A Study on the Transfiguration in Fashion Design by the Mutual Combination
- Other Titles
- A Study on the Transfiguration in Fashion Design by the Mutual Combination
- Authors
- 양희영; 김소영
- Issue Date
- Feb-2010
- Publisher
- 한국의상디자인학회
- Keywords
- Mutual Combination(상호 결합); Overlap(중첩성); Simultaneity(동시성); Deconstruction(탈구조성); Mutual Combination(상호 결합); Overlap(중첩성); Simultaneity(동시성); Deconstruction(탈구조성)
- Citation
- 한국의상디자인학회지, v.12, no.1, pp 103 - 116
- Pages
- 14
- Journal Title
- 한국의상디자인학회지
- Volume
- 12
- Number
- 1
- Start Page
- 103
- End Page
- 116
- URI
- https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/54971
- ISSN
- 1229-7240
- Abstract
- In view of our contemporary fashion, it is found that crossover between clothing and other items leads to creation of a new design and crossover of various cultural codes, ultimately creating a multicultural clothing design or any external outline of emerging costume designs by attempting mutual combination with other fields. Starting from a viewpoint that mutual combination style has significant effects on our contemporary fashion designs, this study intends to characterize external aspects of fashion design that changes through mutual combination style.
This study focused upon analyzing costumes released by contemporary fashion designers after 2000, and addressed a variety of mutual combination styles. It gives various examples on mutual combination in fashion, seeking first to look into typical examples of mutual combination styling between fashion and art, between fashion and space and between fashion and technology. Based on those examples, this study classified crossover styles into 6 major categories such as attachment, suspension, modification, fusion, association and embedment. As a result, this study comes to a conclusion that external changes by mutual combination are characterized largely by overlap, simultaneity and deconstruction.
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