湖畔詩派 汪静之 시의 근대성 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 정우광 | - |
dc.date.available | 2021-02-22T10:51:42Z | - |
dc.date.issued | 2015-02 | - |
dc.identifier.issn | 1598-8503 | - |
dc.identifier.uri | https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/5558 | - |
dc.description.abstract | The purpose of this study is to revaluate Wang Jingzhi’s 汪靜之(1902-1996)representative love poems, especially focusing on his concern for the free, the romantic and the western style love. His love poetry, inspired by the tide of the May 4thMovement that asserted the ideological emancipation and anti-feudalistic society, brokeaway from the restraints of traditional custom between man and women and came toliterary prosperity. His poetry was one of the most effective means to head towardChinese modernity, since he found out Chinese equivalent for Western romantic loveaffairs and developed the private self with modern individual sensitiveness in his manytouching and brokenhearted love poems. This study also tries to find the distinctions of love poems between traditional andmodern society, and summarize the causes through the analysis of the aspects of twocultures, women social status, and different aesthetic tastes. Wang Jingzhi’s love poetryof the 1920s was based on the awareness of the relativism between subject(self) andobject(loving partner). At the same time, this poetry was characterized by its superbtendency to present sense impression of love affairs as well as experiencing sensualpoetic sentiment. Therefore, it wasn't until Wang Jingzhi's arrival that modern Chinesepoetry began in earnest to have the genre of love poem in its fullest sense. | - |
dc.format.extent | 19 | - |
dc.language | 한국어 | - |
dc.language.iso | KOR | - |
dc.publisher | 중국문화연구학회 | - |
dc.title | 湖畔詩派 汪静之 시의 근대성 연구 | - |
dc.title.alternative | A Study on the Modernity of Wang Jingzhi's Poetry as a Lakeside Poet | - |
dc.type | Article | - |
dc.publisher.location | 대한민국 | - |
dc.identifier.doi | 10.18212/cccs.2015..27.018 | - |
dc.identifier.bibliographicCitation | 중국문화연구, no.27, pp 429 - 447 | - |
dc.citation.title | 중국문화연구 | - |
dc.citation.number | 27 | - |
dc.citation.startPage | 429 | - |
dc.citation.endPage | 447 | - |
dc.identifier.kciid | ART001967834 | - |
dc.description.isOpenAccess | Y | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Wang Jingzhi's Poetry | - |
dc.subject.keywordAuthor | Lakeside Poets | - |
dc.subject.keywordAuthor | Orchid Winds | - |
dc.subject.keywordAuthor | Love Poems | - |
dc.subject.keywordAuthor | Fragment | - |
dc.identifier.url | https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001967834 | - |
Items in ScholarWorks are protected by copyright, with all rights reserved, unless otherwise indicated.
Sookmyung Women's University. Cheongpa-ro 47-gil 100 (Cheongpa-dong 2ga), Yongsan-gu, Seoul, 04310, Korea02-710-9127
Copyright©Sookmyung Women's University. All Rights Reserved.
Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.