李漁의 戱劇人物 創造論 - 《閑情偶寄》를 중심으로
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 박성훈 | - |
dc.date.available | 2021-02-22T11:08:41Z | - |
dc.date.issued | 2008-12 | - |
dc.identifier.issn | 1598-8503 | - |
dc.identifier.uri | https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/7723 | - |
dc.description.abstract | 無論中國還是西洋, 在戱曲創作中, 人物的塑造是於中心地位. 因戱曲是用人物形象來表現作家的思想情感化反映社會生活的. 而且作者化演員都要圍繞塑造人物來施展自己的. 李漁在總結前人理論和自己實踐的基礎上, 提出了對劇中人物形象塑造的重要規則. 他的理論著作《閑情偶寄》裏雖然沒有專門探討人物形象塑造的專章, 但通過戱劇創作和演出規律的闡述, 提示了人物形象塑造的審美特徵. 而且涉及到了人物塑造的典型化和個性化方面的問題. 他的觀點, 今天看來雖然不一定恰當, 但在今天看也有恰當性. | - |
dc.format.extent | 15 | - |
dc.language | 한국어 | - |
dc.language.iso | KOR | - |
dc.publisher | 중국문화연구학회 | - |
dc.title | 李漁의 戱劇人物 創造論 - 《閑情偶寄》를 중심으로 | - |
dc.title.alternative | 이어의 희극인물 창조론-《한정우기》를 중심으로 | - |
dc.type | Article | - |
dc.publisher.location | 대한민국 | - |
dc.identifier.doi | 10.18212/cccs.2008..13.010 | - |
dc.identifier.bibliographicCitation | 중국문화연구, no.13, pp 199 - 213 | - |
dc.citation.title | 중국문화연구 | - |
dc.citation.number | 13 | - |
dc.citation.startPage | 199 | - |
dc.citation.endPage | 213 | - |
dc.identifier.kciid | ART001308029 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | kciCandi | - |
dc.subject.keywordAuthor | 戱曲 | - |
dc.subject.keywordAuthor | 李漁 | - |
dc.subject.keywordAuthor | 人物塑造 | - |
dc.subject.keywordAuthor | 典型化 | - |
dc.subject.keywordAuthor | 個性化 | - |
dc.identifier.url | https://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART001308029 | - |
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