ScholarWorks@Sookmyung Women's University: Pyo, Jung Ok

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Pyo, Jung Ok (표정옥)

College of SunHeon (Division of General Education)

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Tel 02-710-9254
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삼국유사:13||신화적 상상력:9||Samgukyusa:9||상징:9||semiosis:7||양성성:7||신화성:7||symbol:6||image:5||놀이성:5||기의:5||signifier:5||signified:5||기호학:5||기표:5||mythicality:4||Mythology:4||mythical imagination:4||신성성:4||신화:4||기호:4||ludism:4||기호작용:4||질병:4||sign:4||meaning:4||인문정신:3||의미작용:3||myth:3||modernity:3||festival:3||시뮬라시옹:3||축제:3||디지털 리터러시:3||androgyne:3||Ludism:3||androgyny:3||문화충돌:3||digital literacy:3||semiotics:3||놀이:3||종교성:3||이항대립:3||Makebelieve play:2||cultural semiotics:2||Makyungchojipeonhae(馬經抄集諺解). Horse(馬):2||베트남:2||digital networks:2||불교:2||discourse:2||공존:2||popularity:2||disease:2||이상:2||dissolve:2||projects:2||divinity:2||교환상상력:2||Buddhist:2||religious:2||double exposure:2||The sacredand the profaned:2||Donguibogam(東醫寶鑑):2||scene:2||삼국사기:2||삼국유사(三國遺事):2||ecology:2||Mythicality:2||SamgukYusa:2||Meaning:2||sequence:2||서사:2||shaman:2||성과 속:2||Yi Sang:2||Alea:2||김유정:2||simulation:2||꿈:2||Namdosori:2||스토리텔링:2||flashback:2||SamhehangPlay:2||Narrative:2||Confucianism:2||놀이 상상력:2||놀이적 상상력:2||Semiosis:2||다문화 상상력:2||프로젝트:2||신화적 독서:2||symbolism:2||Semiotic:2||Entropy:2||Exchange Imagination:2||신화전략:2||Arirang:2||the Sacred:2||Analects:2||androgeny:2||독서토론:2||Simulation:2||Mimicry:2||ilink:2||히에로파니:2||archetype:2||insert:2||Buddism Festival:2||intertextuality:2||lamp:2||여성:2||bear:2||Humanities Spirit:2||Cultural Dynamics:2||Agon:2||lotus:2||the sacred:2||binary oppositions:2||ludic imagination:2||Play:2||문명충돌:2||cave people:2||therapy imagination:2||Civilization Clash:2||Tabooist:2||closeup:2||coexistence:2||modern world culture:2||visual technique:2||montage:2||moving and barrier:2||communication:2||Intergrated Humanistic Spirit:2||critical distance:2||Folk tales:2||cultural afterimage:2||우주적 세계관:2||Ludic Imagination:2||문화콘텐츠:2||mythical strategy:2||유교:2||게임:2||Game:2||Baridegi:2||Religionism:2||Mythical Reading:2||cultural ludism:2||overlap:2||Strategic Death:1||Subversive imagination:1||Sudongyo:1||Super religiosity:1||Symbol:1||Tencow picture:1||The Beauty:1||The Bright Thought:1||The Buddhism of Chosun:1||The Clash of Civilization:1||The Myth of Chosun:1||The Myth of a wise wife:1||The ambivalence:1||The femininity:1||The international Lion Dancing Festival:1||The sacred and the profane:1||Trickster:1||Tuberculosis:1||Venereal disease:1||Vietnamese:1||Viewpoint:1||YongNamDhukGyeYelGen(嶺南拓怪列傳):1||Yongnamchukeiyeoljun:1||YuRi:1||a convergent writing strategy:1||a dragon that protects one's country:1||a mythical imagination:1||a new community:1||abandonment:1||ambivalent value system:1||an Utter myth(卵生神話):1||an integrated writing:1||an oppositional world:1||antagonistic nation:1||archetypal mythical imagination:1||artificial world:1||belief:1||bilateral thoughts:1||binary opposition:1||boundaries:1||characters:1||children's cultural contents:1||creativity:1||critical imagination:1||cultural androgyny:1||cultural conflict:1||cultural contents:1||cultural dynamics:1||cultural knowledge:1||cultural nation:1||cultural productive code:1||delta of meaning:1||doppelgänger.:1||doubleedged semiosis:1||dragon:1||empathy:1||epidemics:1||existential exploration:1||faith:1||fake news:1||female discourse:1||females:1||filmsemiotics:1||folk belief:1||game:1||ghost:1||harmony:1||hierophanie:1||hierophany:1||hope space:1||horse culture:1||horse racing:1||horserelated activities:1||humane therapy:1||humanistic spirit:1||hybrid:1||hyperreality.:1||immunity:1||integrating viewpoint:1||liberal arts project class:1||light engagement:1||liminal being:1||liminality:1||love discourse of public meaning:1||medical Folklores:1||medical treatment:1||meeting:1||mental disease:1||metaphor:1||modern literature:1||multicultural era:1||multiculture:1||mythic imagination:1||mythic meaning reaction:1||mythical ideology:1||mythical reading production. schema reading:1||mythological imagination:1||neurasthemia:1||nonfacetoface:1||ocean myth:1||open sexual discourse:1||outsiders:1||parole:1||perservation:1||physical abnormality.:1||pictorial fables:1||play:1||polyphony:1||producing principles:1||productive motive:1||pulmonary tuberculosis:1||regional festivals:1||retrospection:1||reversal semiosis:1||ritual of summoning:1||scientific thoughts:1||selfreflexivity:1||semiotic approach:1||sentimental education text:1||sexual identity:1||signfier:1||signifer and signfied.:1||smallpox:1||sociocultural meaning:1||solidarity and responsibility:1||space:1||spatial festivity.:1||story puzzle game:1||storytelling:1||strategical understanding:1||textual desire:1||the Alpha girl:1||the Avalokiteśvara belief(觀音信仰):1||the Mythical Stratgies:1||the Strangeness:1||the androgynic woman:1||the binary opposition:1||the civil course:1||the cultural Interruption of the generations:1||the cultural desire:1||the cultural differences of the classes:1||the fantasy:1||the femme fatale:1||the girl image:1||the humanities classics:1||the imagination of flowers:1||the meaning of Myth:1||the memory:1||the myth:1||the narrative therapy:1||the political strategy:1||the profane:1||the sacred and the profane:1||the signified:1||the signifier:1||the skill of handling dolls:1||the storytelling of the fables:1||the sustainable welfare Society:1||time:1||transculture:1||transcultural storytelling:1||tuberculosis:1||virtual space:1||visualization:1||vraisemblable:1||whale myth:1||wisdom:1||가벼운 참여:1||가상공간:1||가상세계:1||가야:1||가역의 기호작용:1||가장 놀이:1||가짜뉴스:1||가치의 전가치(countervalue):1||감성교육:1||결핵:1||결혼:1||경마:1||경쟁:1||계층간 문화차이:1||고래신앙:1||곰:1||공간:1||공간의 축제성:1||공감:1||공자의 ‘서’:1||공적 담론:1||공적 의미의 사랑담론:1||과학적 사고:1||관음신앙:1||교양 프로젝트 수업:1||교양교육:1||교육적 효과:1||국제 사자춤 대회:1||군자불기:1||귀신:1||그로테스크:1||그림동화:1||근대:1||근대 문화 (* 차후 별도 기입):1||근대 지식:1||근대문학:1||근대성:1||근대화:1||기술전략:1||기억:1||기이함:1||기호성:1||기호학.:1||기호학적 접근:1||기호화:1||김구:1||김유신 설화:1||꽃 상상력:1||난생 신화:1||남도소리:1||납치:1||내부시선:1||너새니얼 호손:1||논어:1||놀이 문화:1||다문화:1||다문화시대:1||다성성:1||단군:1||담론:1||대결적 민족의식:1||대립적 세계:1||대중성:1||대화적 상상력:1||도교:1||도플갱어.:1||독창성:1||동굴인:1||동의보감:1||등:1||디졸브:1||디지털 네트워크:1||로제 까요와:1||리미널리티:1||마경초집언해. 말(馬):1||마문화:1||만남:1||말:1||말 관련 활동:1||머라이언:1||메타버스:1||면역관념:1||모방:1||모성성:1||몰입성:1||몽타주:1||무속:1||문자 서술(literal narration):1||문지방적 존재:1||문화:1||문화 경제적 가치:1||문화 기호학:1||문화 지식:1||문화관:1||문화민족:1||문화생성코드:1||문화의 양성성:1||문화의 역동성:1||문화의식:1||문화적 놀이성:1||문화적 상관성:1||문화적 생산동력:1||문화적 욕망:1||문화적 잔상:1||문화정신:1||문화지식:1||미디어:1||미디어 독서토론:1||미디어 콘텐츠:1||미의식:1||미장센(miseenscene):1||민간신앙:1||민족의식:1||믿음:1||바리데기:1||반성:1||발표:1||밝사상:1||법:1||별:1||북청 사자놀이:1||불교문화:1||불교적 세게관:1||불교적 세계관:1||불교축제:1||불함문화:1||비대면성:1||비판적 거리:1||비판적 상상력:1||빛:1||사자:1||사적 담론:1||사찰기행:1||사회 문화적 의미:1||사회문화적 의미:1||삼국유사해제:1||삼회향놀이:1||상상력:1||상식:1||상징성:1||새로운 공동체:1||생산동력:1||생성원리:1||생태학:1||샤먼적:1||서사동력:1||서사치료:1||서정주:1||선덕여왕:1||설화:1||성과속:1||성병:1||성스러움:1||세계관:1||세계성:1||세계정신:1||세대간 문화갈등:1||세마타 독서:1||소녀이미지:1||소통:1||시간:1||시민강좌:1||시퀀스:1||신경쇠약증:1||신념:1||신화담론:1||신화의 의미:1||신화의 의미작용:1||신화적:1||신화적 공간:1||신화적 기호작용:1||신화적 독서의 생산성:1||신화적 시간:1||신화적 이데올로기:1||신화적 이미지:1||신화화:1||신화화 전략:1||실제:1||심춘순례:1||십우도:1||씬:1||아기장수:1||아름다움:1||아리랑:1||알파걸:1||애니메이션:1||양가적 가치체계:1||양가적 기호작용:1||양가적 충돌:1||양성적 여성:1||어린이 문화 콘텐츠:1||엔트로피:1||여성 담론:1||여성성:1||여성신화:1||역사 담론:1||역사적 지표:1||연꽃:1||연대와 책임:1||연행:1||열린 상상력:1||열린 성 담론:1||영남척과열전(嶺南拓怪列傳):1||영남척괴열전:1||영남척괴열전(嶺南摭怪列傳):1||영상기호학:1||영상성(visualization):1||영상적 기법(filmic technique):1||영상적 독해(filmic reading):1||영상화:1||영상화 기법:1||영웅 신화:1||영웅성:1||예술:1||예술사:1||옛이야기스토리텔링:1||오버랩:1||오영수 문학:1||외부시선:1||욕망:1||용:1||용신화:1||운:1||원망공간:1||원형구조:1||원형적 신화 상상력:1||원형적 여성성:1||유기:1||유리:1||융합적 글쓰기:1||융합적 사유:1||은유:1||의미:1||의미의 삼각주:1||의미화:1||의사소통:1||의학담론:1||의학서:1||의학설화:1||이동과 경계:1||이미지:1||이미지 처리:1||이미지 클로즈업:1||이방인:1||이분법적 사고:1||이분화:1||이야기 퍼즐 게임:1||이주여성:1||이중노출:1||인공지능:1||인문고전:1||인문치료:1||인물:1||인서트:1||인형조종술:1||일본 <요괴>:1||일상성:1||자연 회귀적 신화:1||장자:1||전략적 이해:1||전략적 죽음:1||전복적 상상력:1||정신질환:1||정치적 전략:1||젠더:1||조선불교:1||조선신화:1||조화:1||존재론적 탐색:1||종교:1||종교적:1||지속가능한 복지사회:1||지역축제:1||지혜:1||질병담론:1||창의성:1||창의적 글쓰기:1||창조성:1||천연두:1||청소년:1||초혼의식:1||축제 콘텐츠:1||축제성:1||치유력:1||카니발적 언어(carnival language):1||카메라 아이:1||코스페이시스:1||클로즈업:1||타자적 여성성:1||타자혐오:1||탈신화:1||텍스트 연관성:1||텍스트욕망:1||통합적 세계관:1||통합적인문정신:1||트랜스컬처:1||트릭스터:1||파노라마식 삶의 생태:1||파롤:1||파생실재:1||팜므파탈:1||폐결핵:1||플래쉬백:1||하이브리드:1||한국:1||한국 근대 질병:1||한국 신화:1||한국 영상 매체:1||한국<도깨비>:1||해양신앙:1||해치:1||핵:1||허구:1||현대세계문화:1||현부 신화:1||협업성:1||호국룡:1||호모 페스티부스:1||호모 히스토리쿠스.:1||혼절:1||환상성:1||獬豸:1||乏盡性.:1||<Chuyoung Festival>:1||<Whale Festival>:1||<a seaside village>:1||<갯마을>:1||<고래축제>:1||<서동요>:1||<처용문화제>:1||AI:1||Agijangsu tales.:1||Animation:1||Archetypal Sexuality:1||Art History Description:1||Arts:1||Buddhist World View:1||Buddhist worldview:1||Buddism:1||Choi NamSeon:1||CoSpaces:1||Collaboration:1||Common Knowledge.:1||Confucius' Forgiveness:1||Confusionism:1||Correlative imagination:1||Cosmetic Spirit:1||Cosmetic Viewpoint:1||Cosmetic World View:1||Cosmopolitanism:1||Creative Medicine:1||Creative writing:1||Creativity:1||Cultural Clash:1||Cultural Contents:1||Cultural Knowledge:1||Cultural Spirit:1||Cultural economic value:1||Cultural viewpiont:1||Culture:1||D ream:1||Dangun:1||Dangun Thought Buddhist Culture.:1||Descriptive Method:1||Desire:1||Dialogic Imagination:1||Dichotomization:1||Disease:1||Disease Dicourse:1||Dream:1||Educational effect:1||Female:1||Female Myth:1||Femininity:1||Festival Contents:1||Festivals:1||Festivity:1||Grotesque:1||Haechi:1||Hatred for Others:1||Heorism:1||Heroic myth:1||Historical Index:1||Historical viewpoint:1||Homo Festivus:1||Homo Historicus.:1||Honam temple travels:1||Humanities spirit:1||Immersion:1||Independence:1||Japanese <Yogei>:1||Juveniles:1||Kaya:1||Kidnap:1||Kim Y ushin‘s s tory:1||Kim Yujeong:1||Kim Yujung:1||Kimgu:1||Korean:1||Korean <Doggaebi>:1||Korean Modern disease:1||Korean Myth:1||Korean visual media:1||Kyulhak:1||Law:1||Liberal Arts Education:1||Light:1||Lion:1||Ludic Semiotic Imagination:1||Ludic culture:1||Marine challenge:1||Marine inclusivity:1||Media:1||Media Reading Debate:1||Media contents:1||Medicine Discourse:1||Merlion:1||Metaverse:1||Modern aesthetics:1||Modern culture(* 차후 별도 기입):1||Modern intelligence:1||Modernization:1||Multicultural Imagination:1||Multuculture:1||Mythic Imagination:1||Mythical:1||Mythical Image:1||Mythical Imagination:1||Mythical Space.:1||Mythical Storytelling Relationship:1||Mythical imagination:1||Mythical semiosis:1||Mythical time:1||Mythicality of nature return:1||Mythologizing:1||Narrative dynamics:1||Nathaniel Hawthorne:1||National Consciousness:1||Nationality:1||Nythical Strategy:1||OhYoungSu literature:1||Open imagination:1||Originality:1||Otherness:1||Pilgrimage on Spring:1||Playfulness:1||PostMyth:1||Presentation. Reading Discussion:1||Queen SunDuk:1||Reading Debate:1||Religion:1||Religiosity:1||Roger Caillois:1||S emiotic:1||S tar:1||S ymbolic s ystem:1||SAmgukyusa:1||SamKukYuSa:1||Samguksagi:1||Samgukyusa (The Retained History of Three Kingdoms):1||Samgukyusa(三國遺事):1||Samgukyusaheje (The interpretation of Samgukyusa):1||Science:1||Sea:1||Semioticity:1||Semiotics:1||SeoJungJu:1||Shamanism:1||Smallpox:1||Sociocultural Meaning:1||

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Sookmyung Women's University. Cheongpa-ro 47-gil 100 (Cheongpa-dong 2ga), Yongsan-gu, Seoul, 04310, Korea02-710-9127

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