ScholarWorks@Sookmyung Women's University: Shin, Dong Soon

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Shin, Dong Soon (신동순)

문과대학 (중어중문학부)

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:5||s movies:2||Panopticon:2||commerciality:2||Shanghai in the 1940s:2||영화 <:2||<:2||the almighty dollar principle:2||the human destruction and dehumanization:2||the lower narration:2||the subject status:2||cultural phenomenon:2||Discipline and Punish:2||『Ziluolan』:2||politics of nonpolitics:2||popularity:2||문화위치:2||Blind Mountain:2||문화정치학:2||breaking points:2||publication policy:2||resistance of XueMei:2||building hopes:2||『Chunqiu』:2||『Dazhong』:2||『Wanxiang』:2||LiYang&apos:2||Let The Bullets Fly:1||Movie “Infernal Affairs” series:1||Political Functioning of Meaning:1||Postcoloniality:1||Purchase intention:1||Resemioticization:1||Reconstruction:1||Reproduce space:1||Reproduce woman:1||Retargeting advertising:1||Revolutionary attribute:1||Satisfaction:1||Sinophone cinema:1||Southward Expansion to Taiwan>:1||The Politics:1||The film “Midnight Runners”:1||Violence:1||Wanghong:1||Wanghong broadcasts:1||Western identity:1||Western society:1||Women&apos:1||colonial consciousness:1||cultural identity:1||cultural location:1||cultural signs:1||director Ang Lee:1||division of colonial discourse:1||dual colonization:1||hate speech:1||hospitality:1||mental division:1||mimicry:1||nervousness and uneasiness:1||oriental consciousness:1||patriarchy:1||politics:1||post ‘97’ era:1||production of meaning:1||s consciousness:1||slip:1||state power:1||suture:1||symbols:1||‘Shuihu review’:1||‘Wuhan’ and ‘HaiRui dismissal’:1||‘수호 평론’:1||‘우한’과 ‘해서파관’:1||‘九七’後:1||‘朝鲜’意识:1||‘中国’意识:1||“Paradise in Service”:1||“Special Tea House”:1||“三国志”；韩国“三国志”现象；中国大众文化；跨国流通；历史谱系学；消费政治学；文化政治学:1||가부장제:1||국가권력:1||기만과 불법복제:1||긴장과 불안:1||남진 타이완>:1||당대중국혁명:1||당정출판‘정책’‘문건’:1||동양의식:1||두치펑감독영화:1||리안감독:1||리안영화:1||모방:1||무간도>:1||문화대혁명:1||문화적 징후:1||미끄러짐:1||봉합:1||사회주의 중국:1||상징:1||서구 정체성:1||서구사회:1||시리즈:1||식민담론 해체:1||식민담론의 분열:1||식민의식:1||양자탄비:1||여성의식:1||완미한 결합:1||의미 제작:1||의식의 파편들:1||이중식민화:1||이화된 신체:1||일본 제국주의 다큐멘터리:1||정신 분열:1||정체성:1||정치:1||조화로운 중화:1||중국특색사회주의시장경제:1||청년경찰>:1||출판사업:1||출판산업:1||출판역사:1||타자화:1||포스트 ‘97’시대:1||폭력성:1||할리우드 영어영화:1||혁명성:1||혐오 발언:1||홍콩 정체성:1||홍콩의 ‘중국성’:1||홍콩의 ‘홍콩성’:1||화어영화:1||환대:1||境界:1||系列:1||孔乙己&apos:1||欺騙與盜版:1||緊張和不安:1||南进台湾:1||多意性:1||都市和鄉村的貧富之差､ 異化現象:1||杜琪峰電影:1||李安導演:1||模仿:1||無間道>:1||文件&apos:1||文化资本化:1||文化资源:1||文化身份:1||社会主义中国:1||西方認同感:1||殖民话语的分裂:1||殖民意识:1||完美的結合:1||魏德聖，塞德克巴莱(Seediq bale)，后殖民主义(postcolonialism):1||異化的身 體:1||認同感:1||日本帝国主义纪录片:1||電影<:1||政策&apos:1||精神分裂:1||中国大众文化符号:1||中华性，台湾意识，中国意识，殖民支配话语，分裂性:1||中国特色社会主义市场经济:1||中國獨立紀錄片､ 於廣義､ 農村三部曲:1||中國電影界､ “七君子事件”､ 文化政策､ 文化領導權意識､ 民間與國家､ 獨立電影:1||出版产业:1||出版历史:1||出版事业:1||他者化:1||台灣身份認同、中華意識、後殖民、越界意識、台灣青春、義氣悲劇:1||暴力性:1||解體殖民話語:1||香港認同感:1||香港的‘中國性’:1||香港的‘香港性’:1||好萊塢英語電影:1||和諧的中華:1||華語電影:1||滑倒:1||双层意识:1||张律电影:1||离散:1||离散意识:1||党政出版&apos:1||双重殖民化:1||&apos:1||1person media:1||Ang Lee’s cinema:1||Attitude:1||Aversion:1||Brand loyalty:1||China market:1||Chinese Revolution of the time:1||Consumer fatigue:1||Cultural Politics:1||Cultural Revolution:1||Cultural politics:1||Disintegrated colonial discourse:1||Forcibleness:1||Fragment of criticism:1||Hollywood English film:1||Hong Kong identity:1||Human brand:1||Invasion of privacy:1||Japanese Imperialist Documentary:1||

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Sookmyung Women's University. Cheongpa-ro 47-gil 100 (Cheongpa-dong 2ga), Yongsan-gu, Seoul, 04310, Korea 02-710-9127

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