판소리의 20세기적 변모 양상과 지향

Abstract

Big change that reaches in 20th century on pansori is two. First is preserving the traditional pansori, and second is to occur the pansori theatre suffering West Europe theatrical impact. As female players participated the traditional pansori, change of considerable degree was seen. Story was modified to direction that an editorial is more elegant and field play to chamber music. Because traditional pansori was specified at intangible cultural assets, arrived to kept the identity as receives support of the country, and registers by after this world cultural heritance. Diversion of pansori theatre was necessary that appear taking in 20th century. Because could not expropriate claim of publics by player and drummer simple appearance. Changguk and Madanggeuk based on pansori accepting European drama skill were presented in South Korea, nation opera and revolution opera based on Changguk were occurred. Changguk received public acceptance because of dividing cast, and decorates the stage luxury by the expanding of theatre feature in pansori. But, it is pointing to seek the controversial harmony between pansori and theatre. Madanggeuk happens reflecting politics circumstance of the 1970s and grew. Madangnoli that is based on this expropriated public's claim fully by thing which expand the play except the ideological thing. North Korea's nation opera and revolution opera appeared being based on Changguk originally, but inclination to escape in pansori by emphasizes ideology and maximizes theatre was seen. Changed with pansori in all sides such as music or an editorial, it showed the images of changed pansori culture keeping the fundamental important things. Pansori in 20th century was specialized by art form of various image receiving claim of period that change. Also, that develop receiving two sides that is tradition and change harmoniously that possibility is show.