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A Research on the Neglected Poet, James A. Emanuel (1921-2013)

Authors
김희정
Issue Date
May-2020
Publisher
미래영어영문학회
Keywords
제임스 이매뉴얼; 재즈 하이쿠; 인종 차별주의; 전통 하이쿠; 아프리카계 미국인; James Emanuel; jazz haiku; racism; classic haiku; African American
Citation
영어영문학, v.25, no.2, pp 191 - 210
Pages
20
Journal Title
영어영문학
Volume
25
Number
2
Start Page
191
End Page
210
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/2596
DOI
10.46449/MJELL.2020.05.25.2.191
ISSN
1229-5736
Abstract
James A. Emanuel (1921-2013) was a prolific poet in the postmodern and postcolonial periods of American poetry and he published more than 300 poems, 13 books, and other publications. However, there are only few research on Emanuel compared to what he had accomplished during his life time. Among the genres, it is remarkable that Emanuel composed haiku as well as jazz haiku. What Emanuel tried to deliver through his haiku is that he aimed at resisting against the racial injustice. However, the American academia neglected Emanuel although his writings dealt with important issue in America. Emanuel is evaluated not just as a poet but a person who did more than that. Therefore, this paper will examine Emanuel’s JAZZ from the Haiku King in terms of Emanuel’s unique style of haiku as well as jazz haiku why Emanuel created haiku, what does jazz haiku implies to the African American as well as the others.
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