A Research on the Neglected Poet, James A. Emanuel (1921-2013)
- Authors
- 김희정
- Issue Date
- May-2020
- Publisher
- 미래영어영문학회
- Keywords
- 제임스 이매뉴얼; 재즈 하이쿠; 인종 차별주의; 전통 하이쿠; 아프리카계 미국인; James Emanuel; jazz haiku; racism; classic haiku; African American
- Citation
- 영어영문학, v.25, no.2, pp 191 - 210
- Pages
- 20
- Journal Title
- 영어영문학
- Volume
- 25
- Number
- 2
- Start Page
- 191
- End Page
- 210
- URI
- https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/2596
- DOI
- 10.46449/MJELL.2020.05.25.2.191
- ISSN
- 1229-5736
- Abstract
- James A. Emanuel (1921-2013) was a prolific poet in the postmodern and postcolonial periods of American poetry and he published more than 300 poems, 13 books, and other publications. However, there are only few research on Emanuel compared to what he had accomplished during his life time. Among the genres, it is remarkable that Emanuel composed haiku as well as jazz haiku. What Emanuel tried to deliver through his haiku is that he aimed at resisting against the racial injustice. However, the American academia neglected Emanuel although his writings dealt with important issue in America. Emanuel is evaluated not just as a poet but a person who did more than that. Therefore, this paper will examine Emanuel’s JAZZ from the Haiku King in terms of Emanuel’s unique style of haiku as well as jazz haiku why Emanuel created haiku, what does jazz haiku implies to the African American as well as the others.
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