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청대 관우 숭배 현상과 경극 관우극의 발전The Worship of Guan Yu and his Highness in Beijing Opera during the Qing Dynasty Period

Other Titles
The Worship of Guan Yu and his Highness in Beijing Opera during the Qing Dynasty Period
Authors
차미경
Issue Date
Feb-2015
Publisher
중국문화연구학회
Keywords
關羽; 關羽崇拜; 關廟; 關公戱; 王鴻壽
Citation
중국문화연구, no.27, pp 339 - 362
Pages
24
Journal Title
중국문화연구
Number
27
Start Page
339
End Page
362
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/5574
DOI
10.18212/cccs.2015..27.014
ISSN
1598-8503
Abstract
清朝时期, 由于统治阶段自身的需要, 制造关羽的神性, 并通过立庙设祀, 把关羽信仰灌输到市民百姓中去。无论从祭祀的规模和仪式, 关庙创建的范围和数量, 以及信仰和崇拜者的广泛而论, 都表明清朝时期人们对关羽的神化和崇拜已达到空前的程度。通过清皇帝的推波助谰, 所赐封号由侯而帝君而大帝, 祭祀规模由群祀而中祀; 关庙创建的范围由窄而广, 数量由少而多; 关羽成为人神之首, 凡助战斗、治病除灾、佑科举、诛伐叛逆, 无所不能, 具有多方面的神格, 其崇拜和信仰者极为广泛。这些都显示了清朝关羽崇拜已达到历史的最高峰。在其深远影响下, 京剧关公戏呈现出情节动人的剧目和名家演技精彩等态势, 成为清代京剧关公戏的一个极为突出的发展。
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