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음양오행으로 본 궁중춤과 민속춤 비교 연구(1)-처용무와 봉산탈춤을 중심으로-The Study of comparison of Royal Dance and Folk Dance Based on the Yin Yang and Five Elements

Other Titles
The Study of comparison of Royal Dance and Folk Dance Based on the Yin Yang and Five Elements
Authors
김지희
Issue Date
Jun-2004
Publisher
대한무용학회
Keywords
Comparisom; Royal Dance; Folk Dance; Yin Yang and Five Elements; Comparisom; Royal Dance; Folk Dance; Yin Yang and Five Elements
Citation
대한무용학회 논문집, no.39, pp 1 - 20
Pages
20
Journal Title
대한무용학회 논문집
Number
39
Start Page
1
End Page
20
URI
https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/60388
ISSN
1598-4672
Abstract
The purpose of this study is to compare the Chumsawi of Royal Dance with that of Folk Dance by Yin Yang and Five Elements. In this study, It is premised that Korean Dance, Chumsawi is based on the oriental ideology, and the Chuyongmu and the Bogsantalchum which are representatives of Chumsawi are compared. As the result of this study, in Yin Yang and Five Elements point of view, Folk Dance has larger movements than Royal Dance. The Chumsawi of Folk Dance has the biggest positive energy in fire Chumsawi which is ByoungHwa, and the smallest negative energy in water Chumsawi which is Gesu. For that reason, the Chumsawi of Folk dance looks like more dynamic than that of Royal Dance. There are many differences between the Chumsawi of Royal Dance and the Chumsawi of Folk Dance. Among them, the most significant difference is that the Chumsawi of Royal Dance is focused on the movements of the upper part of human body. Because Royal Dance was performed in front of King, the costumes are magnificent and heavy, which makes the Royal Dance more restrictive than Folk Dance. In conclusion, this study has devoted to establish a system for articulating principles of Korean Dance education and performed as an experimental work for the future development of Korean Dance.
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