애니메이션의 생산동력으로서 신화적 상상력에 대한 기호학적 접근- 미야자키 하야오와 이성강의 작품을 중심으로 -
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 표정옥 | - |
dc.date.available | 2021-02-22T11:11:16Z | - |
dc.date.issued | 2007-12 | - |
dc.identifier.issn | 1229-3172 | - |
dc.identifier.uri | https://scholarworks.sookmyung.ac.kr/handle/2020.sw.sookmyung/8048 | - |
dc.description.abstract | Modern brilliant visual technique enables us to imagine mythic images and incarnate concrete images in our mind. Particularly, the world of contemporary animation is filled with the storming mythic images. This article is intended to find out mythic images of Japanese and Korean animation. The mythic images of two countries become similar cultural and historical experiences. Miyajaki Hayao and YiSunggang is the representative animation directors at each country. They have three similar common thoughts in their works. The first, they are using mythic meaning reaction with adapting mythic narrative and images. Their animations consume the mythic imagination with transforming original fables and ancient myths. So the mythic meaning forms a stream of consciousness. These two directors make use of myths, folk tale, fables, and legends at will. We can observe that these factors function as the mythic meaning. The second, they are focusing on the “girl images” to show multilateral desires. The two countries experience the bad historical events. The Korean peoples experience war and colonial times, whereas the Japanese people also experience the second world war. The girl image becomes a key term in two countries. The girl image represents the boy, the mother, the father, the nation, and the pure. The meaning of mid-teenage girl means cultural productive metaphor. The girl images include three symbolic meanings as like androgyne, liminal being, and modernity. The third, they are using the principle of bilateral sides, which is referred to as the evil and the good. However, they are not precise binary oppositions. This contrary meaning provides a new productive meaning in two directors. Mythology is a parole of history, so we can read a mythic metaphor beyond the historical cultures. This is the work of cultural semiosis. Animation is the signifier of myth, so we can read the signified of myth. | - |
dc.format.extent | 26 | - |
dc.language | 한국어 | - |
dc.language.iso | KOR | - |
dc.publisher | 한국기호학회 | - |
dc.title | 애니메이션의 생산동력으로서 신화적 상상력에 대한 기호학적 접근- 미야자키 하야오와 이성강의 작품을 중심으로 - | - |
dc.title.alternative | A Semiotic Approach about Mythic Imagination as productive motive of Animation- Focusing on Miyajaki Hayao's and YiSunggang's animations - | - |
dc.type | Article | - |
dc.publisher.location | South Korea | - |
dc.identifier.bibliographicCitation | 기호학 연구, v.22, no.1, pp 163 - 188 | - |
dc.citation.title | 기호학 연구 | - |
dc.citation.volume | 22 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 163 | - |
dc.citation.endPage | 188 | - |
dc.identifier.kciid | ART001219707 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 애니메이션 | - |
dc.subject.keywordAuthor | 생산동력 | - |
dc.subject.keywordAuthor | 신화적 상상력 | - |
dc.subject.keywordAuthor | 기호학적 접근 | - |
dc.subject.keywordAuthor | 신화의 의미작용 | - |
dc.subject.keywordAuthor | 소녀이미지 | - |
dc.subject.keywordAuthor | 기호작용 | - |
dc.subject.keywordAuthor | 문화생성코드 | - |
dc.subject.keywordAuthor | 양성성 | - |
dc.subject.keywordAuthor | 문지방적 존재 | - |
dc.subject.keywordAuthor | 모성성 | - |
dc.subject.keywordAuthor | 이분법적 사고 | - |
dc.subject.keywordAuthor | 이항대립 | - |
dc.subject.keywordAuthor | 신화 | - |
dc.subject.keywordAuthor | 파롤 | - |
dc.subject.keywordAuthor | 기표 | - |
dc.subject.keywordAuthor | 기의 | - |
dc.subject.keywordAuthor | Animation | - |
dc.subject.keywordAuthor | productive motive | - |
dc.subject.keywordAuthor | mythic imagination | - |
dc.subject.keywordAuthor | semiotic approach | - |
dc.subject.keywordAuthor | mythic meaning reaction | - |
dc.subject.keywordAuthor | the girl image | - |
dc.subject.keywordAuthor | cultural productive code | - |
dc.subject.keywordAuthor | androgyne | - |
dc.subject.keywordAuthor | liminal being | - |
dc.subject.keywordAuthor | modernity | - |
dc.subject.keywordAuthor | bilateral thoughts | - |
dc.subject.keywordAuthor | binary opposition | - |
dc.subject.keywordAuthor | myth | - |
dc.subject.keywordAuthor | parole | - |
dc.subject.keywordAuthor | the signifier | - |
dc.subject.keywordAuthor | the signified | - |
dc.identifier.url | http://kiss.kstudy.com/thesis/thesis-view.asp?key=2660781 | - |
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