당대 중국 사회의 ‘盲’과 ‘不盲’ 사이에서 리양(李楊) 영화 읽기

Abstract

This paper studies 『Blind Well』 & 『Blind hill』 of LiYang's ‘the blind’ trilogies and seeks for the meaning and the director's critical view of them. First, I am trying to find out the subject status of LiYang's movies with several concepts, such as migrant workers and “the lower narration” and LiYunLei's critical analysis of LiYang's. Gathered the LiYunLei's debate, which explained the situation of migrant workers and “the lower narration” proposed in 2004, I find that the clash of civilization and barbarism of LiYang's movies by LiYunLei is contrary to the consciousness of movies by LiYang. LiYang notes a phenomenon of the human destruction and dehumanization caused by ‘the new awareness’ in the modern China or the almighty dollar principle and the feudal consciousness still alive in the rural communities. His movies has a bird's-eye view of the typical socialism or capitalism of China between ‘pretending not to see(盲)’ and ‘do not pretend not to see’. LiYang is building hopes on China with his ‘the blind’ series, it is desperate though.